Antonio Verrio

Definition and stakes

Portrait of Aphra Behn Aphra Behn,  The Works of Aphra Behn, Volume VI

“ Vol. V, p. 73, The Fair Jilt: 'Scrutore perpetually employ'd,' and note on that passage (p. 519) .
p. 75 Varrio. Antonio Verrio, the celebrated Neapolitan painter, was born at Lecce, in the Terra di Otranto, about 1639. His earliest pictures were done for ecclesiastics—the Jesuits College, Naples, the high altar in the Carmelite Church, Toulouse. His facility of execution and rich colouring gained him fame, and Charles II appointed him to direct the royal tapestry works at Mortlake. Soon, however, Verrio was transferred to Windsor to paint the walls and ceilings.
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Source: Gutenberg

Portrait of Dutton Cook Dutton Cook,  Art in England: Notes and Studies

“ In nearly every work of Verrio's after this date, it is probable that Laguerre had a hand. He seems to have been an amiable, kindly, simple-minded man, without much self-assertion or any strong opinions of his own. He was quite content to do as Verrio bid him, even imitating him and following him through his figurative mysteries, and floundering with him in the mire of graceless drawing and gaudy colour and ridiculous fable. He had at least as much talent as his master—probably even more. ”
Source: Gutenberg

Lionel Henry Cust,  Dictionary of National Biography… (1899)

“ The paintings at Hampton Court show a tasteless exuberance and confused medley of subject. On the other hand Verrio was a master of his art, and his decorative paintings, like those of his successors, Laguerre, Streater, and Thornhill, have remained in a fair state of preservation when more modern works of a similarly ambitious nature have entirely perished. ”
Source: Wikisource

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