Daniel Heyward

Definition and stakes

Portrait of James Fenimore Cooper James Fenimore Cooper,  The Last of the Mohicans — Chapter 9 (1826)

“ The sudden and almost magical change, from the stirring incidents of the combat to the stillness that now reigned around him, acted on the heated imagination of Heyward like some exciting dream. While all the images and events he had witnessed remained deeply impressed on his memory, he felt a difficulty in persuading him of their truth. Still ignorant of the fate of those who had trusted to the aid of the swift current, he at first listened intently to any signal or sounds of alarm, which might announce the good or evil fortune of their hazardous undertaking. ”
Source: Wikisource

Portrait of DuBose Heyward DuBose Heyward,  Porgy — Part V. (1925)

“ The mercurial spirits of the negroes rose with the genial warmth. Forebodings were forgotten. Even Clara sang a lighter air as she rocked the baby upon her lap.
But the sun had just lifted over the eastern wall, and the heat of noon was beginning to vibrate in the court, when suddenly the air of security was shattered. From the center of town sounded the deep, ominous clang of a bell.
At its first stroke life in Catfish Row was paralyzed. Women stopped their tasks, and, not realizing what they did, clasped each others' hands tightly, and stood motionless, with strained, listening faces.
”
Source: Wikisource

Portrait of DuBose Heyward DuBose Heyward,  Porgy

“ At the pavement’s edge Maria swung her victim around until his wandering and reluctant gaze met hers.
“De las’ time yuh wuz aroun’ hyuh, I ain’t hab nuttin’ on yuh but my eyes. Now I knows yuh—yuh damn, dirty, dope-peddler, wreckin’ de homes ob dese happy niggers!”
Her arms shot forward and back like locomotive pistons. The man’s head snapped to an acute angle, and righted itself with difficulty.
“Now, w’en I done flingin’ yuh out dis gate,” she proceeded, “it’s de las’ time yuh is goin’ tuh leabe it erlibe.
”
Source: Gutenberg

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