Famous Composers and Their Works…
“ The force and the meaning of the accompaniment is always in proportion with the degree of passion on the stage. When Pizarro meditates his vengeance and the orchestra mimics the storm within his breast, it matters little that the voice of the singer is drowned. And so the air of the delirious Florestan is less thrilling than the preceding prelude; and the oboe tells of his agony although he himself cries it to the dungeon walls. ”
