Jack and the Beanstalk

Definition and stakes

James Greenwood,  Low-Life Deeps — Chapter 22: Baby Greybeards (1881)

“ In short, what the old Thatcher had to tell, and what, with mouths agape and pipes grown cold in their nervous grasp, the seven middle-aged labourers for the first time in their lives listened to, was "Jack and the Beanstalk." Never did story-teller command a more attentive audience. They were with the thatcher every step of his way up the "ladder as high as the sky," and when Jack blew the horn that hung at the gate of the castle of the two-headed giant, every man wetted his lips with his tongue, as though in imagination he was taking a turn at it. ”
Source: Wikisource

Charles Herbert Sylvester,  Journeys Through Bookland, Vol…

“ The color tones are subdued and restful, not loud and glaring, but they are so happily blended, or contrasted, that both persons and objects are clear and distinct. It tells without words the story of happy childhood.
Jack and the Beanstalk (Volume One, page 159) is a picture which will repay study. A child’s imagination reaches out more or less vaguely, though often to his satisfaction, for a visualization of the exaggerations of nature which appear in almost all fables and fairy tales. Our artist has given this subject a realistic touch, which makes Jack’s adventure seem almost possible.
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Source: Gutenberg

E. W. Cole,  Cole's Funny Picture Book No. 1

“ When Jack rose up next morning he found that one of the beans had taken root, and had grown up, up, up, until its top was quite lost in the clouds. Jack resolved instantly to mount the Beanstalk. So up, up, up, he went till he had reached the very top. Looking round he saw at a distance a large house. Tired and weary, he crawled towards it and knocked on the door. The door was opened by a timid looking woman who started when she saw him, and besought him to run away as her husband was a cruel Giant who would eat him up if he found him there. ”
Source: Gutenberg

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