John Philip Sousa

Definition and stakes

Portrait of John Philip Sousa John Philip Sousa Fifth String (1902)

If she loves this man, her love can be more deadly to the choice of her heart than her hate to one she abhors. The impatience of restraint you speak of and her very inability to brook opposition can be turned to good account now." And old Sanders again tapped in the rhythm of a dirge on his parchment-bound cranium.
"Your plan?" eagerly asked the father, whose confidence in his secretary was absolute.
"I would like to study them together. Your position will be stronger with Mildred if you show no open opposition to the man or his aspirations
Source: Wikisource

Portrait of John Philip Sousa John Philip Sousa Fifth String (1902)

Mildred smiled and whispered to Diotti. He took his violin from the case and began playing. It seemed to her as if from above showers of silvery merriment were falling to earth. The old man watched intently, and as the player changed from joy to pity, from love back to happiness, Sanders never with drew his gaze. His bead-like eyes followed the artist; he saw each individual finger rise and fall, and the bow bound over the finger-board, always avoiding, never coming in contact with the middle string.
Source: Wikisource

Portrait of John Philip Sousa John Philip Sousa The Fifth String

Facing Mildred, whose color was heightened by the intensity of her emotion, he began softly to play. His fingers sought the string of Death. The audience listened with breathless interest. The composition was weirdly and strangely fascinating.
The player told with wondrous power of despair,—of hope, of faith; sunshine crept into the hearts of all as he pictured the promise of an eternal day; higher and higher, softer and softer grew the theme until it echoed as if it were afar in the realms of light and floating o’er the waves of a golden sea.
Source: Gutenberg

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