Phil May

Definition and stakes

Portrait of Elizabeth Robins Pennell Elizabeth Robins Pennell,  Nights: Rome, Venice, in the Aesthetic Eighties…

“ I know an artist, one of whose cherished memories of Phil May is of the Christmas Eve when they both rang Lord Leighton's door-bell and ran away and back to Phil May's studio on the other side of the road, and Phil May was as pleased as if it had been a masterpiece for Punch. He was naturally kind,—amiable perhaps because it was the simplest thing to be. In his own house his amiability forced him to break his silence, but his remarks then, as far as I heard them, were usually confined to the monotonous offer "Have a cigar!" "Have a whiskey-and-soda!" ”
Source: Gutenberg

Phil May,  The Phil May Album

“ Whistler, "is summed up in two words—Phil May!" Nor is this merely a New School of Art paradox. It is one which is held by artists of all grades alike, and even by the art editor who professes to know and supply what the public likes. That a youth who never had a lesson in drawing in his life should have earned such a reputation between the ages of seventeen and thirty, and should have gone above men as honoured in their profession as Sir John Tenniel and Mr. George du Maurier, and on a level with Charles Keene, Mr. Abbey and Mr. Gibson, is enough to make Mr. May's art extremely interesting. ”
Source: Gutenberg

Portrait of Edward Verrall Lucas Edward Verrall Lucas,  Dictionary of National Biography… (1912)

“ On 25 June 1910 a mural tablet subscribed for by the public was unveiled on the house in Leeds where he was born, recording the circumstance and calling him 'the great black and white artist' and 'a fellow of infinite jest.'
[The Times, 6 August 1903; biographical prefaces to Phil May in Australia, Bulletin Office, Sydney, 1904, and The Phil May Folio, London, 1904; James Glover, Jimmy Glover: his book, 1911 (with portrait of May by himself, Leeds, 1880) ; private information.]
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Source: Wikisource

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