J. Allan Dunn, The Girl Of Ghost Mountain (1921)
“ Falling men, stricken horses. The rush of the bandits, the dead left for the coyotes and the buzzards. He had glimpsed the robber stronghold with its women, its lawlessness. Quong was a conjuror of words, his style of speech, almost a monotone, had flawless technique in the art of story telling. Sheridan saw, too, Juan Mendoza, sidling like a crab among the patrons of the opium rooms, worshiping Quong, his god, who gave him surcease, telling him his secret. ”
