J. Allan Dunn

Biographical details

J. Allan Dunn The Sextant (1922)

Dazzling back from the waves, filtering through the canvas, flinging sharp down on the deck.
Motion, in sea and sky and in the ship as it lunged and lifted, as it sped down the watery valleys and tried to fight the pressure of the helm, in the pendulum swing of the tall masts and all the airy fabric of the sails. Sound and Light and Motion with Ben in the midst of them, cradled, a part of them, his soul responding to the strength and glory of it all until he forgot hardships passed and hardships sure to come and only knew that here he was, where he had longed to be, afloat.
Source: Wikisource

J. Allan Dunn The Treasure of Atlantis — X. The Isle of Sele (1916)

As Morse lay there, the wind lifted a fragrant tress of Leola's hair, and it fell across his face like a caress. He touched it with his lips.
The boat glided against the landing, and the prisoners were lifted out silently and carried up the water stairs. Morse saw the cone of the volcano lifting its peak against the stars, its hoary crest gleaming frostily. The puffs of vapor had turned into an uninterrupted flow of smoke that funneled out to a dense mass, part of which streamed leeward like a dusty, pointing finger. The lower part of the cloud was tinged with a lurid, pulsating glow.
Source: Wikisource

J. Allan Dunn Smuggler's House (1921)

Then Harmon pushed the box toward him and Benson gasped. Never had he seen such rubies, in such quantity and quality. Crystals of living blood. The phrase teemed cold and inadequate. The crossing, mingling play of radiance from their hearts diffused a light that was warm, exquisite crimson, transparent but with a shifting shimmer as of vapor. Under it the gems appeared to throb like living particles.
The general body-tone was an aurora red, the hue of the drop of blood that hangs from the beak of a dead pigeon. Captain Harmon picked up one stone delicately and laid it in Benson's palm.
Source: Wikisource

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