Frederick Arthur Ambrose Talbot, Moving Pictures: How They Are Made and Worked (1914)
“ In this respect the cinematograph producer is far better off than his rival on the real stage. Situations, scenes, and episodes incapable of production by the latter, can be produced very simply on the film. Novels, short stories, plays, the Bible, Greek inscriptions, inventions, little episodes and incidents in everyday life—anything and everything is grist for his mill. Of course, fashions change just as in any other phase of our complex life. ”
