A. D. T. Whitney

Biographical details

Portrait of A. D. T. Whitney A. D. T. Whitney The Other Girls

Scherman's damask table-cloths, and as the ivy leaf or morning-glory pattern comes out under the polish, some beautiful thought in her takes line and shade under the very rub of labor, and shows itself as it would have done no other way, and that by and by it will shine on a printed page, made substantive in words,—then, perhaps, you have only not lived quite long—or deep—enough. There is a more real and perfect architecture than any that has ever got worked out in stone, or even sketched on paper.
Source: Gutenberg

Portrait of A. D. T. Whitney A. D. T. Whitney Faith Gartney's Girlhood

Whether they menaced still, she thought not; a voice she knew and trusted was in her ear; a grasp of loving strength sustained her; she was utterly secure.
So vividly she felt the presence—so warm and sure seemed that love and strength about her—that waking out of such pause of peace, before her senses recognized anything that was real without, she stretched her hands, as if to find it at her side, and her lips breathed a name—the name of Roger Armstrong.
Then she started to her feet. The kind, protecting presence faded back into her dream.
The horrible smoke, the scorching smell, were true.
Source: Gutenberg

Portrait of A. D. T. Whitney A. D. T. Whitney A Summer in Leslie Goldthwaite's Life

There was a trig, not to say prim, spinster, without a vestige of comeliness in her face, save the comeliness of a clear, clean, energetic expression,—such as a new broom or a bright tea-kettle might have, suggesting capacity for house thrift and hearth comfort,—who wore a gray straw bonnet, clean and neat as if it had not lasted for six years at least, which its fashion evidenced, and which, having a bright green tuft of artificial grass stuck arbitrarily upon its brim by way of modern adornment, put Leslie mischievously in mind of a roof so old that blades had sprouted in the eaves.
Source: Gutenberg

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