"Alpha of the Plough"

Biographical details

"Alpha of the Plough" Many furrows (1924)

If we are sinister, they are only a little more sinister. If we are smug, they only emphasise our smugness. If, like the Lord High Everything Else, we were born sneering, our smile is apt to be a sneer, too. If we are terrible, like Swift, we shall have his "terrible smile." Only rarely do we light upon the smile that is a revelation. Harry Lauder's smile is like a national institution or a natural element. It is plentiful enough to fill the world. It is a continual and abundant feast that requires neither words nor chorus, and when he laughs you can no more help feeling happy than he can.
Source: Gutenberg

"Alpha of the Plough" Many furrows (1924)

No reasonable person could enjoy the country in such a garb. He would feel like a blot on the landscape. He would be as much out of place as a guest in a smock-frock at a Buckingham Palace garden-party. And familiar conversation that dresses itself up in silk-hatted words is no less an offence against the good taste of things. We do not make a thing more impressive by clothing it in grand words any more than we crack a nut more neatly by using a sledge-hammer. We only distract attention from the thought to the clothes it wears.
Source: Gutenberg

"Alpha of the Plough" Many furrows (1924)

The barrenness and austerity of the scene are almost forbidding at the first glance, but as the mind dwells on it, it becomes instinct with meaning and emotion. Evening has come and darkness is falling over the land. The labourer has left the field and the rooks are going home. In the midst of the ancient solitude and silence that have taken possession of the earth, the old plough has the passion of personality. It embodies the epic of man's labour with the intensity that direct statement could not convey but only the power of suggestion can give.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature