Edward L. Bernays

Biographical details

Portrait of Edward L. Bernays Edward L. Bernays The Broadway Anthology

And most in the theatre
Draw fatter returns than he.
Yet is he called upon to make the show,
To save the show,
But never is he given credit
Comparable to that which falls
Upon the slightest jester or singer or dancer
Who mugs, mimes, or hoofs in a hit.
Yet is the press agent happy;
He loves his work;
It has excitement and intrigue;
And to further the cause of beautiful women,
To discover the wonderful girls of the theatre,
And lead them in progress triumphal
Till their names outface the jealous night,
On Broadway, in incandescents,
Is in itself a privilege.
Source: Gutenberg

Portrait of Edward L. Bernays Edward L. Bernays Crystallizing Public Opinion

THE APPLICATION OF THESE PRINCIPLES Both Trotter, Martin and the other writers we have quoted confirm what the actual experience of the public relations counsel shows—that the cause he represents must have some group reaction and tradition in common with the public he is trying to reach. This must exist before they can react sympathetically upon one another. Given these common fundamentals, much can be done to capitalize or destroy them. It is as untrue to contend that public opinion is manufactured as it is to contend that public opinion governs the agencies which mould it.
Source: Gutenberg

Portrait of Edward L. Bernays Edward L. Bernays The Broadway Anthology

The glass is at my lips, but the wine is far away,
The music's in my throat, but my soul no song discloses,
The laughter's on my tongue, but my heart is clay.
IN THE THEATRE
Weep not, fair lady, for the false,
The fickle love's rememberance,
What though another claim the waltz—
The curtain soon will close the dance.
Grieve not, pale lover, for the sweet,
Wild moment of thy vanished bliss;
The longest scene as Time is fleet—
The curtain soon will close the kiss.
Source: Gutenberg

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