F. W. Moorman

Biographical details

Portrait of F. W. Moorman F. W. Moorman,  Tales of the Ridings

“ THE INNER VOICE
Fear is a resourceful demon, with whom we are engaged in perpetual conflict from the cradle to the grave. Fear assumes many forms, and has always a shrewd eye for the joints in that armour of courage and confidence which we put on in self-defence. One man conquers fear of danger only to fall a prey to fear of public opinion; another succumbs to superstitious fear, while a third, steadfast against all these, comes under the thraldom of the most insidious and malign of all forms of fear—the fear of death.
”
Source: Gutenberg

Portrait of F. W. Moorman F. W. Moorman,  Yorkshire Dialect Poems (1673-1915…

“ The use of dialect enhances the directness and dramatic realism of the story at every turn; the characters stand out sharp and clear, and we are brought face to face with the passion that makes for tragedy. The poem is purged clean of all sentiment and moralising: it is narrative pure and simple, but aglow with the lurid flame of a passion that burns to the very roots of life. It is no exaggeration to say that Leet Livvy is the greatest achievement in Yorkshire dialect poetry up to the present time; let us hope that it is an earnest of even greater things yet to come. ”
Source: Gutenberg

Portrait of F. W. Moorman F. W. Moorman,  More Tales of the Ridings

“ About his neck was a halter, the other end of which was securely fastened to the broken arms of the cross.
It was Learoyd. The wretched man, tortured by a sense of guilt, and obsessed with the idea that Mary Whittaker's act of sacrifice was a cold-blooded device to shame him and aggravate his misery, had hanged himself, choosing as the scene of his death the spot where, fifteen years before, he had exposed his stepdaughter for sale. In so doing, his warped imagination assured him that the coals of fire which seared his brain would henceforth be poured upon the head of Mary Whittaker.
”
Source: Gutenberg

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