Summary

Portrait of F. W. Moorman F. W. Moorman More Tales of the Ridings

About his neck was a halter, the other end of which was securely fastened to the broken arms of the cross.
It was Learoyd. The wretched man, tortured by a sense of guilt, and obsessed with the idea that Mary Whittaker's act of sacrifice was a cold-blooded device to shame him and aggravate his misery, had hanged himself, choosing as the scene of his death the spot where, fifteen years before, he had exposed his stepdaughter for sale. In so doing, his warped imagination assured him that the coals of fire which seared his brain would henceforth be poured upon the head of Mary Whittaker.
Source: Gutenberg

Portrait of F. W. Moorman F. W. Moorman More Tales of the Ridings

But he never came, and Mary grew more and more at ease in her new surroundings. The change from the roomy farmstead, with its wide horizons of moors and woods, to the narrow cottage in the sunless back street was a strange one for her. She missed, too, the farm work: the churning of the butter and the feeding of the calves and poultry. But youth was on her side and she soon learnt to adapt herself to her new life. Soon after six in the morning she would mount with Parfitt to the upper room and spin the wool, which he would then weave into cloth.
Source: Gutenberg

Portrait of F. W. Moorman F. W. Moorman More Tales of the Ridings

Mary Whittaker was a girl of fourteen when her mother had married Samuel Learoyd. Of her father she knew nothing. He had died when she was a baby. From the first the Learoyds had proved an ill-matched pair. Anne Learoyd, her mother, had been brought up in Leeds, and having been used to all the excitements of life in a big town, found the solitary farm lonesome. Samuel Learoyd, though genial enough at times in the society of his male friends, was capricious. His temper was often sullen, and when in one of his gloomy moods he would spend the whole evening in his farm kitchen in morose silence.
Source: Gutenberg

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