Constance Holme

Summary

Constance Holme,  Beautiful end (1918)

“ This son of his was so lithe and strong, so full of life at its height, so healthy and fine-coloured and clean-drawn. There was nothing about him that was betrayed or made ashamed by the pure tones and line of marsh and sky. By comparison Kit felt himself and Bob to be broken and fusty like the trap, unbeautifully finished things blurring the exquisitely ending day. Not all the clean air and space could give them back that look, which belongs only to Nature and the young. They were blots on the landscape, he felt, an offence to the eye ... like an old boot flung away in a flowering hedge ... ”
Source: Gutenberg

Constance Holme,  Beautiful end (1918)

“ He went into the shadow as he went up the stair, and met it when he opened the door. Through the windows, when he looked out, there was no sun on the marsh, only the faint rising of a moon. Somewhere out in the uncertain dark was the quiet plashing of the sea. It was the hour when the world is nothing and some one person is all; when Heaven comes easily, and earth as easily goes. So would death come, he thought, his own good death. Some day he would enter the house for the last time, and climb the stair and open and shut the door. ”
Source: Gutenberg

Constance Holme,  Beautiful end (1918)

“ But no child born on the marsh would ever be such as they; the house would prevent it—the peaceful, noble house. They would be friends all right, he and those real children bred to the sound of the sea. Thomas and Agnes could trust them to him all right. All day he and the fiddle would hear their feet, pattering after them on the garden path, and climbing laboriously up the uncarpeted stair. All day the little shrill voices would follow the curlews out to sea, and at night the house would be filled with the hush of a house where children sleep. ”
Source: Gutenberg

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