George M. Shaw

Biographical details

George M. Shaw,  Popular Science Monthly (1878)

“ The common musical scale is derived from a tone and its overtones, by making, on separate strings, full tones corresponding to the overtones of some fundamental string-tone. That which produces a "chord" in music, where the harmony is made by full tones, would produce a vowel if the main tone only were full, and the "chording" tones overtones. When, then, a vowel is sung, high or low, it is still the same vowel at a different pitch—that is, the same "chord" in another key. But "chords" are music, and music means air-waves, so that vowels are musical air-waves. ”
Source: Wikisource

George M. Shaw,  Popular Science Monthly (1877)

“ To borrow a metaphor from life, it is as if the close approach and quick oscillation of the piece of soft iron fretted or tantalized the magnet, and sent a series of electrical shudders through the iron nerve.
We have here the fundamental principle of the telephone. No galvanic battery is employed to furnish an electrical current, as in the case of the telegraph; but the currents in the wires are produced by the motions of the piece of soft iron near the magnet.
”
Source: Wikisource

George M. Shaw,  Popular Science Monthly (1878)

“ Yet, by breaking into the vowel-tone with certain expressive noises called consonants, we can give the vowel-tone such a turn as to make its motion a copy of a motion of sensation, which, reaching the mysterious mechanism of an ear, will be changed back into a sensation.
It seems strange that words should be nothing but music broken up by different expressive noises, but we all know how differently we are affected by different noises. And in music it is recognized that different keys produce different effects; certain keys better than others, exciting certain emotions.
”
Source: Wikisource

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