“ In a weak voice she calls some memories up—this and that—and "one morning——" She applies herself to it and counts them. I speak, too, gently. We question each other. "Do you remember?"—"Oh, yes." And when some more precise and intimate detail prompts the question we only reply, "A little." Our separation and the great happenings past which the world has whirled have made the past recoil and shaped a deep ditch. Nothing has changed; but when we look we see.Once, after we had recalled to each other an enchanted summer evening, I said, "We loved each other," and she answered, "I remember." ”
Henri Barbusse
Biographical details
Henri Barbusse (1873–1935), a French novelist, journalist, and political activist, is renowned for Under Fire (1916), a harrowing First World War narrative that transformed war literature and influenced figures like Hemingway. His work combines vivid portrayals of combat with ethical and political commentary, shifting from pacifist critiques to passionate communist support.
Barbusse’s body of work—ranging from The Inferno (1908) to Light (1919)—examines existential despair, revolutionary aspirations, and the human toll of war, securing his reputation as a writer who merged literary creativity with radical political involvement.
Quotes by Henri Barbusse
Henri Barbusse,
Under Fire: The Story of a Squad
“ And at once, with shouts and roars of salvation, we slide and roll and fall alive into the belly of the trench! We are submerged in a mysterious smoke, and at first I can only see blue uniforms in the stifling gulf. We go one way and then another, driven by each other, snarling and searching. We turn about, and with our hands encumbered by knife, bombs, and rifle, we do not know at first what to do. "They're in their funk-holes, the swine!" is the cry. Heavy explosions are shaking the earth—underground, in the dug-outs. ”
“ In the setting of the room that the twilight began to invade, I saw the outline of my forehead, the oval of my face, and, under my blinking eyelids, the gaze by which I enter into myself as into a tomb.My tiredness, the gloominess (I heard rain outside) , the darkness that intensified my solitude and made me look larger, and then something else, I knew not what, made me sad. It bored me to be sad. I shook myself. What was the matter? Nothing. Only myself.I have not always been alone in life as I was that evening. ”
“ The voice opposite me, capsizing in laughter and swollen with a rattle, says again:—"Don't worry!"Yonder, in the hemisphere of night, comets glide, blending their cries of engines and owls with their flaming entrails. Will the sky ever recover the huge peace of the sun and the stainless blue?A little order, a little lucidity are coming back into my mind. Then I begin to think about myself.Am I going to die, yes or no? Where can I be wounded? I have managed to look at my hands, one by one; they are not dead, and I saw nothing in their dark trickling. ”
Henri Barbusse,
Under Fire: The Story of a Squad
“ He is outside in black night. With great splashing skips he makes his way towards the tavern of Magnac, the generous and communicative Biterrois. Only with great trouble does he find the door in the dark and the inky rain. By God, there is no light! Great God again, it is closed! The gleam of a match that his great lean hand covers like a lamp-shade shows him the fateful notice—"Out of Bounds." Magnac, guilty of some transgression, has been banished into gloom and idleness! Fouillade turns his back on the tavern that has become the prison of its lonely keeper. He will not give up his dream. ”
“ But infinity resides quietly in that man who is just passing by on the street. It resides in me, just as I am, with my ordinary face and name, in me, who want everything I have not. And there is no reason why there should be any limits to what I want.So, step by step, I followed the track of the infinite. It made me suffer. Ah, if I did wrong, that great misery of mine, the tragedy of striving for the impossible, redeemed me. But I do not believe in redemption. I was suffering, and doubtless I looked like a martyr. ”
“ One is broken and blurred; one emerges like a peak, a good half of it fallen into nothing. At the end of the row, the ravages have been less, and only the eyes are smitten. The hollow orbits in those marble heads look outwards with dried darkness. The deep and obscure face-wounds have the look of caverns and funnels, of the shadows in the moon; and stars of mud are clapped on the faces in the place where eyes once shone.Our strides have passed that trench. We go more quickly and trouble no more now about the star-shells, which, among us who know nothing, say, "I know" and "I will." ”
Henri Barbusse,
Under Fire: The Story of a Squad
“ By the searchlight's shaft I saw it clearly, fleshless and worn, a sort of withered fin. The rain is raging and the sound of its streaming dominates everything—a horror of desolation. We feel the water on our flesh as if the deluge had washed our clothes away. We enter the open trench, and the embrace of night and storm resumes the sole possession of this confusion of corpses, stranded and cramped on a square of earth as on a raft. The wind freezes the drops of sweat on our foreheads. It is near midnight. For six hours now we have marched in the increasing burden of the mud. ”
“ Granted that I have the great wisdom to rid myself of the haunting dread of my own death, there remains the death of others and the death of so many feelings and so much sweetness. It is not the conception of truth that will change sorrow. Sorrow, like joy, is absolute.And yet! The infinite grandeur of our misery becomes confused with glory and almost with happiness, with cold haughty happiness. Was it out of pride or joy that I began to smile when the first white streaks of dawn turned my lamp pale and I saw I was alone in the universe? ”
Henri Barbusse,
Under Fire: The Story of a Squad
“ In this fury of fatal engines, this mechanical cataclysm that pursues us through space, there is something that surpasses human strength and will, something supernatural. Joseph, standing with his hand in mine, looks over his shoulder at the storm of rending explosions. He bows his head like an imprisoned beast, distracted: "What, again! Always, then!" he growls; "after all we've done and all we've seen—and now it begins again! Ah, non, non!" He falls on his knees, gasps for breath, and throws a futile look of full hatred before him and behind him. He repeats, "It's never finished, never!" ”
“ The cemetery is full of mud under the muslin of fallen rain, and the footfalls make a sticky sound in it. There are a few trees, naked and paralyzed. The sky is marshy and sprinkled with crows.The coffin, with its shapeless human form, is lowered from the hearse and disappears in the fresh earth.They march past. Marie and her father take their places beside me. I say thanks to every one in the same tone; they are all like each other, with their gestures of impotence, their dejected faces, the words they get ready and pour out as they pass before me, and their dark costume. ”
“ The child would grow up, a saviour, to give life to everything again. Starting at the dark bottom he would ascend the ladder and begin life over again, life, the only paradise there is, the bouquet of nature. He would make beauty beautiful. He would make eternity over again with his voice and his song. And clasping the new-born infant close, she looked at all the sunlight she had given the world. Her arms quivered like wings. She dreamed in words of fondling. She fascinated all the passersby that looked at her. And the setting sun bathed her neck and head in a rosy reflection. ”
“ When they touch, is it the water which hisses and roars, or is it the fire? And one sees the reigning calm of a radiant plain, a plain of incalculable greatness. The round meteor congeals into shapes, and continental islands are sculptured by the water's boundless hand.I am no longer alone and abandoned on the former battlefield of the elements. Near this rock, something like another is taking shape; it stands straight as a flame, and moves. This sketch-model thinks. It reflects the wide expanse, the past and the future; and at night, on its hill, it is the pedestal of the stars. ”
Henri Barbusse,
Under Fire: The Story of a Squad
“ The streaming plain, seamed and seared with long parallel canals and scooped into water-holes, is an immensity, and these castaways who strive to exhume themselves from it are legion. But the thirty million slaves, hurled upon one another in the mud of war by guilt and error, uplift their human faces and reveal at last a bourgeoning Will. The future is in the hands of these slaves, and it is clearly certain that the alliance to be cemented some day by those whose number and whose misery alike are infinite will transform the old world. ”
“ Sometimes I myself have been sublime, I myself have been a masterpiece. Sometimes my visions have been mingled with a thrill of evidence so strong and so creative that the whole room has quivered with it like a forest, and there have been moments, in truth, when the silence cried out.But I have stolen all this, and I have profited by it, thanks to the shamelessness of the truth revealed. At the point in space in which, by accident, I found myself, I had only to open my eyes and to stretch out my mendicant hands to accomplish more than a dream, to accomplish almost a work. ”
“ Tradition reigns, the gospel of the blind adoration of what was and what is—God without a head. Man's destiny is eternally blockaded by two forms of tradition; in time, by hereditary succession; in space, by frontiers, and thus it is crushed and annihilated in detail. It is the truth. I am certain of it, for I am touching it.But I do not know what will become of us. All the blood poured out, all the words poured out, to impose a sham ideal on our bodies and souls, will they suffice for a long time yet to separate and isolate humanity in absurdity made real? History is a Bible of errors. ”
Henri Barbusse,
Under Fire: The Story of a Squad
“ All the way along, as far as an earthwork barricade that blocks the way, German corpses are entangled and knotted as in a torrent of the damned, some of them emerging from muddy caves in the middle of a bewildering conglomerate of beams, ropes, creepers of iron, trench-rollers, hurdles, and bullet-screens. At the barrier itself, one corpse stands upright, fixed in the other dead, while another, planted in the same spot, stands obliquely in the dismal place, the whole arrangement looking like part of a big wheel embedded in the mud, or the shattered sail of a windmill. ”
“ I cry over lost beauty and grandeur. I love everything that I should have embraced.Here they will pass again, day after day, year after year, all the prisoners of rooms will pass with their kind of eternity. In the twilight when everything fades, they will sit down near the light, in the room full of haloes. They will drag themselves to the window's void. Their mouths will join and they will grow tender. They will exchange a first or a last useless glance. They will open their arms, they will caress each other. They will love life and be afraid to disappear. ”
“ Some day I should like to live yonder; but between the two halves of the town there is a division—a sort of frontier, which has always been and will always be.In the Rue Verte I meet only a street lamp, and then a mouse-like little girl who emerges from the shadows and enters them again without seeing me, so intent is she on pressing to her heart, like a doll, the big loaf they have sent her to buy. Here is the Rue de l'Etape, my street. Through the semi-darkness, a luminous movement peoples the hairdresser's shop, and takes shape on the dull screen of his window. ”
Henri Barbusse,
Under Fire: The Story of a Squad
“ Others—the rest, indeed—helpless and maimed, move and creep and cringe, worm themselves into the corners. They are like moles, poor, defenseless beasts, hunted by the hellish hounds of the guns. The bombardment slackens, and ends in a cloud of smoke that still echoes the crashes, in a quivering and burning after-damp. I pass out through the breach; and still surrounded and entwined in the clamor of despair, I arrive under the free sky, in the soft earth where mingled planks and legs are sunk. I catch myself on some wreckage; it is the embankment of the trench. ”
“ In life's tragedy, separation is the only thing one sees. They had been happy, and they were no longer happy. They were almost old already. He did not care for her, although they were growing old together. What were they saying? In a moment of open-heartedness, trusting to the peacefulness reigning between them at that time, he owned up to an old transgression, to a betrayal scrupulously and religiously hidden until then. Alas, his words brought back an irreparable agony. The past, which had gently lain dead, rose to life again for suffering. Their former happiness was destroyed. ”
Henri Barbusse,
Under Fire: The Story of a Squad
“ We are conscious of a sustained crescendo, an incessant multiplication of the universal frenzy. A hurricane of hoarse and hollow banging, of raging clamor, of piercing and beast-like screams, fastens furiously with tatters of smoke upon the earth where we are buried up to our necks, and the wind of the shells seems to set it heaving and pitching. "Look at that," bawls Barque, "and me that said they were short of munitions!" "Oh, la, la! We know all about that! That and the other fudge the newspapers squirt all over us!" A dull crackle makes itself audible amidst the babel of noise. ”
“ No, there is no beauty in it; it is not the emblem of this corner of my native land, whose fair picture it disturbs with its savage stripes. It is the screaming signboard of the glory of blows, of militarism and war. It unfurls over the living surges of humanity a sign of supremacy and command; it is a weapon. It is not the love of our countries, it is their sharp-edged difference, proud and aggressive, which we placard in the face of the others. It is the gaudy eagle which conquerors and their devotees see flying in their dreams from steeple to steeple in foreign lands. ”
Henri Barbusse,
Under Fire: The Story of a Squad
“ Our feet go down haphazard; we stumble and hold ourselves up by the walls, so that our hands are plastered with mud. The march becomes a stampede, full of the noise of metal things and of oaths. In redoubled rain there is a second halt; some one has fallen, and the hubbub is general. He picks himself up and we are off again. I exert myself to follow Poterloo's helmet closely that gleams feebly in the night before my eyes, and I shout from time to time, "All right?"—"Yes, yes, all right," he replies, puffing and blowing, and his voice always singsong and resonant. ”
“ How many of them are there on all this plain? How many, how many of them are there in all this moment? Our heart is only made for one heart at a time. It wears us out to look at all. One may say, "There are the others," but it is only a saying. "You shall not know; you shall not know."Barrenness and cold have descended on all the body of the earth. Nothing moves any more, except the wind, that is charged with cold water, and the shells, that are surrounded by infinity, and the crows, and the thought that rolls immured in my head. ”
“ They are rooted in the human being. They overflow and palpitate. When I demand justice, I am not groping in a dream, I am crying from the depths of all unhappy hearts.Such are they, that mountain of people heaped on the ground like metal for the roads, overwhelmed by unhappiness, debased by charity and asking for it, bound to the rich by urgent necessity, entangled in the wheels of a single machine, the machine of frightful repetition. And in that multitude I also place nearly all young people, whoever they are, because of their docility and their general ignorance. ”
Henri Barbusse,
Under Fire: The Story of a Squad
“ We return through the density, my unknown neighbor and I, unsteady, and laboring along the narrow way of slippery mud, doubled up as if we each carried a crushing burden. At one point of the horizon and then at another all around, a gun sounds, and its heavy din blends with the volleys of rifle-fire, redoubled one minute and dying out the next, and with the clusters of grenade-reports, of deeper sound than the crack of Lebel or Mauser, and nearly like the voice of the old classical rifles. The wind has again increased; it is so strong that one must protect himself against it in the darkness ”
“ Our looks are worn away in looking. We do not see, we are powerless to people the world. We all have nothing in common but eyes of evening and a soul of night.And always, always, in these trenches whose walls run down like waves, with their stale stinks of chlorine and sulphur, chains of soldiers go forward endlessly, towing each other. They go as quickly as they can, as if the walls were going to close upon them. They are bowed as if they were always climbing, wholly dark under colossal packs which they carry without stopping, from one place to another place, as they might rocks in hell. ”
Henri Barbusse,
Under Fire: The Story of a Squad
“ We struggle like drowning men through the acrid darkness of a fallen fragment of night. One stumbles against barriers of cowering clustered beings who bleed and howl in the bottom. Hardly can one make out the trench walls, straight up just here and made of white sandbags, which are everywhere torn like paper. At one time the heavy adhesive reek sways and lifts, and one sees again the swarming mob of the attackers. Torn out of the dusty picture, the silhouette of a hand-to-hand struggle is drawn in fog on the wall, it droops and sinks to the bottom. ”
Henri Barbusse,
Under Fire: The Story of a Squad
“ It is the trench. It is carpeted at bottom with a layer of slime that liberates the foot at each step with a sticky sound; and by each dug-out it smells of the night's excretions. The holes themselves, as you stoop to peer in, are foul of breath. I see shadows coming from these sidelong pits and moving about, huge and misshapen lumps, bear-like, that flounder and growl. They are "us." We are muffled like Eskimos. Fleeces and blankets and sacking wrap us up, weigh us down, magnify us strangely. Some stretch themselves, yawning profoundly. ”
“ It seems as if real suffering is giving voice through him with a beast's cry.When he has spoken, he collapses on to a stone. With his fist, whose leather is covered with red hair, like a cow's, he hides the squalid face that looks as if it had been spat upon. "Folks aren't wicked," he says, "but they're stupid, stupid, stupid."And Brisbille cries.Just then Father Piot advances into the space, with his silver aureole, his benevolent smile, and the vague and continuous lisping which trickles from his lips. ”
Henri Barbusse,
Under Fire: The Story of a Squad
“ One sees and one feels the fragments passing close to one's head with their hiss of red-hot iron plunged in water. The blast of one explosion so burns my hands that I let my rifle fall. I pick it up again, reeling, and set off in the tawny-gleaming tempest with lowered head, lashed by spirits of dust and soot in a crushing downpour like volcanic lava. The stridor of the bursting shells hurts your ears, beats you on the neck, goes through your temples, and you cannot endure it without a cry. The gusts of death drive us on, lift us up, rock us to and fro. We leap, and do not know whither we go. ”
“ I say all this to Marie. She appears to be more struck by the vehemence of my tone than by the obviousness of what I say. She replies, feebly, "Yes, indeed," and nods her head; but she asks me, "But the moral law that you talk about, isn't it tradition?""No. It is the automatic law of the common good. Every time that finds itself at stake, it re-creates itself logically. It is lucid; it shows itself every time right to its fountain-head. Its source is reason itself, and equality, which is the same thing as reason. ”
“ I am sure of the principles I see at the source of all—justice, logic, equality; all those divinely human truths whose contrast with the realized truth of to-day is so heart-breaking. And I want to appeal to you all; and that confidence which fills me with a tragic joy, I want to give it to you, at once as a command and as a prayer. There are not several ways of attaining it athwart everything, and of fastening life and the truth together again; there is only one—right-doing. Let rule begin again with the sublime control of the intellect. I am a man like the rest, a man like you. ”
