Henri Barbusse

Henri Barbusse

Summary

Portrait of Henri Barbusse Henri Barbusse The Inferno

Some white blossoms, lilies and azaleas, were strewn on the table, the mantelpiece, and one armchair. He was fading away like those cut flowers.
"We are married," he said. "You are my wife. You are my wife, Anna!"
It was for the sweetness of saying, "You are my wife," that he had so longed. Nothing more. But he felt so poor, with his few days of life, that it was complete happiness to him.
He looked at her, and she lifted her eyes to him—to him who adored her sisterly tenderness—she who had become devoted to his adoration.
Source: Gutenberg

Portrait of Henri Barbusse Henri Barbusse The Inferno

Sometimes I myself have been sublime, I myself have been a masterpiece. Sometimes my visions have been mingled with a thrill of evidence so strong and so creative that the whole room has quivered with it like a forest, and there have been moments, in truth, when the silence cried out.
But I have stolen all this, and I have profited by it, thanks to the shamelessness of the truth revealed. At the point in space in which, by accident, I found myself, I had only to open my eyes and to stretch out my mendicant hands to accomplish more than a dream, to accomplish almost a work.
Source: Gutenberg

Portrait of Henri Barbusse Henri Barbusse The Inferno

In the setting of the room that the twilight began to invade, I saw the outline of my forehead, the oval of my face, and, under my blinking eyelids, the gaze by which I enter into myself as into a tomb.
My tiredness, the gloominess (I heard rain outside) , the darkness that intensified my solitude and made me look larger, and then something else, I knew not what, made me sad. It bored me to be sad. I shook myself. What was the matter? Nothing. Only myself.
I have not always been alone in life as I was that evening.
Source: Gutenberg

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