Judith Aston and Paul Matthews, Oral Literature in the Digital Age… (2013)
“ From her earlier experience of acting as a consultant to the “Disappearing World” film on the Uduk (Macdonald 1993) , James has written that “a film can record the facial and body expression of listeners as well as speakers; and the memory of ‘fear’ can be invoked even when it is not actually named by anybody” (James 1997) . However, her frustration with filmmaking is that clips such as this become embedded within the structure of a sequentially edited narrative, thus limiting the possibility for in-depth analysis of individual recordings. ”
