Presentation

Definition and stakes

Portrait of Friedrich Schiller Friedrich Schiller,  Aesthetical Essays of Friedrich Schiller

“ A mode of presentation such as this might be styled an organic product, in which not only the whole lives, but also each part has its individual life. A merely scientific presentation is a mechanical work, when the parts, lifeless in themselves, impart by their connection an artificial life to the whole.
On the other hand, a discourse, in order to satisfy the understanding and to produce knowledge, must have a spiritual part, it must have significance, and it receives this through the conceptions, by means of which those perceptions are referred to one another and united into a whole.
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Source: Gutenberg

Portrait of John Dewey John Dewey,  Democracy and Education (1916)

“ Perception, for example, is the complication of presentations which result from the rise of old presentations to greet and combine with new ones; memory is the evoking of an old presentation above the threshold of consciousness by getting entangled with another presentation, etc. Pleasure is the result of reënforcement among the independent activities of presentations ”
Source: Wikisource

Mervin James Curl,  Expository Writing

“ Pleasing presentation, however desirable, is secondary. No amount of pleasant reading on the subject of making photographs, the working of periscopes, the organization of literary societies will be of value if at the end the reader has not a well-ordered idea of how to go to work or of how the thing of which you treat is operated. ”
Source: Gutenberg

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