Ira Samuel Griffith

Biographical details

Ira Samuel Griffith,  Correlated courses in woodwork and mechanical drawing (1912)

“ Why should not design, like mechanical drawing and woodwork and other subjects be developed upon a substructure consisting of information and appreciation secured by allowing or even insisting that the boy handle good design until he becomes saturated with a feeling for good line and good form? Of course, if any pupil comes to a beginning class with this information and feeling, due allowance should and can readily be made. It is highly probable that there would be less inclination on the part of our pupils to insist that designers are born not made were more use made of the deductive method. ”
Source: Gutenberg

Ira Samuel Griffith,  Correlated courses in woodwork and mechanical drawing (1912)

“ Sufficient to say that a manual training teacher to do his best work should be a teacher well trained in methods of teaching and the psychological bases back of them. He should at least understand the art if not the science of good teaching.
Where an instructor is engaged in teaching his entire time it is not just that he should be required to attend to formal disciplining of pupils. In most schools, therefore, an instructor, like the regular grade teacher, conducts his shop as best he knows how.
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Source: Gutenberg

Ira Samuel Griffith,  Correlated courses in woodwork and mechanical drawing (1912)

“ Make a special point of the fact, which almost every boy overlooks, that the simple forms of outline are invariably the more pleasing. To the beginner design means making something unlike anything that was ever seen on the earth below or heaven above—hence the freakish, fussy forms that are usually offered. Try telling the class you are going to place an excellent form on the board then draw a well proportioned oblong and watch the expressions on their faces. Yet a well proportioned oblong with appropriate decorative form is one of the most pleasing of forms. ”
Source: Gutenberg

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