Summary

Ira Samuel Griffith Correlated courses in woodwork and mechanical drawing (1912)

Why should not design, like mechanical drawing and woodwork and other subjects be developed upon a substructure consisting of information and appreciation secured by allowing or even insisting that the boy handle good design until he becomes saturated with a feeling for good line and good form? Of course, if any pupil comes to a beginning class with this information and feeling, due allowance should and can readily be made. It is highly probable that there would be less inclination on the part of our pupils to insist that designers are born not made were more use made of the deductive method.
Source: Gutenberg

Ira Samuel Griffith Correlated courses in woodwork and mechanical drawing (1912)

Sufficient to say that a manual training teacher to do his best work should be a teacher well trained in methods of teaching and the psychological bases back of them. He should at least understand the art if not the science of good teaching.
Where an instructor is engaged in teaching his entire time it is not just that he should be required to attend to formal disciplining of pupils. In most schools, therefore, an instructor, like the regular grade teacher, conducts his shop as best he knows how.
Source: Gutenberg

Ira Samuel Griffith Correlated courses in woodwork and mechanical drawing (1912)

Inductive or synthetic teaching of design has its place; so also has the deductive or analytic. Happily those educators who insist on the use of one method or the other only are becoming few. In other subjects we are finding that the teaching results which demand the respect and approval of educators of safe and sane judgment are obtained by the use of both methods interchangeably. There is no formal notice when one is to be used or the other—whichever method fits the occasion is used without apology. This is right; to do otherwise is to sacrifice the boy or girl for the sake of the method.
Source: Gutenberg

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