Ira Samuel Griffith, Correlated courses in woodwork and mechanical drawing (1912)
“ Why should not design, like mechanical drawing and woodwork and other subjects be developed upon a substructure consisting of information and appreciation secured by allowing or even insisting that the boy handle good design until he becomes saturated with a feeling for good line and good form? Of course, if any pupil comes to a beginning class with this information and feeling, due allowance should and can readily be made. It is highly probable that there would be less inclination on the part of our pupils to insist that designers are born not made were more use made of the deductive method. ”
