Marah Ellis Ryan

Biographical details

Portrait of Marah Ellis Ryan Marah Ellis Ryan For the Soul of Rafael

Raquel Estevan, thou happy one!" cried Ana; "you have more luck than a queen!"
They pulled out embroideries and laces and jewels, with little shrieks of ecstasy at the beauty and fineness of them. Raquel looked on, smiling at their delight.
"Aha! is not that a lover, Raquelita?" repeated Doña Luisa. "Bring me the mantillas. Those two are for the bridesmaids; see how they look on Madalena and Dolores—fine—fine! And here is the wedding-veil—and the shoes, and the rosary—not anything is forgotten! He is so dear, so good—my Rafael!"
Source: Gutenberg

Portrait of Marah Ellis Ryan Marah Ellis Ryan The Flute of the Gods

This was the fourth day of the fasting. He, Tahn-té, had been strong as few men are strong, but suddenly in the night, earth and sky seemed to meet, and putting out his hands he groped through a thicket of the young pines, and fell there quite close to the dancing water––and all the life of earth drifted far. He, Tahn-té, the devotee of the Trues––the weaver of spells, and dancer of the Ancient Dance to the God of the Stone, lay at last in the stupor beyond dreams, helpless in the path of an enemy if any should trail him for battle.
Source: Gutenberg

Portrait of Marah Ellis Ryan Marah Ellis Ryan Told in the Hills: A Novel

To feel the cool crispness of the heights, tempered by the soft "Chinook" winds? To feel the fresh wet dews of the morning on your hands and on your face, and to know them in a dim way odorous—odorous with the virginity of the hills—of the day dawn, with all the sweet things of form or feeling that the new day brings into new life?
A girl on Scot's Mountain seemed to breathe in all that intoxication of the hill country, as she stood on a little level, far above the smoke of the camp-fire, and watched the glowing, growing lights on the far peaks.
Source: Gutenberg

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