Marah Ellis Ryan

Marah Ellis Ryan

Summary

Portrait of Marah Ellis Ryan Marah Ellis Ryan The Flute of the Gods

This was the fourth day of the fasting. He, Tahn-té, had been strong as few men are strong, but suddenly in the night, earth and sky seemed to meet, and putting out his hands he groped through a thicket of the young pines, and fell there quite close to the dancing water––and all the life of earth drifted far. He, Tahn-té, the devotee of the Trues––the weaver of spells, and dancer of the Ancient Dance to the God of the Stone, lay at last in the stupor beyond dreams, helpless in the path of an enemy if any should trail him for battle.
Source: Gutenberg

Portrait of Marah Ellis Ryan Marah Ellis Ryan The Flute of the Gods

That the groves of pine, or the mesa of the river, hid him from her sight, did not mean to her that he had quite gone away, the wonderful magic wrought by him made it possible for her to feel his arms about her even when she lay alone in the darkness of the dwelling of the star. To be hidden like that, and to watch for his coming, was to be granted much joy by the gods. That the gods exact payment for all joys more than mortal, was one secret Tahn-té did not whisper to her, though the thought had clouded his own eyes more than once as he clasped her close to him.
Source: Gutenberg

Portrait of Marah Ellis Ryan Marah Ellis Ryan The Flute of the Gods

This is a Navahu arrow through the eye of Ka-yemo, and through the heart of Yahn Tsyn-deh. Alone here she has destroyed them!––and alone here would Tahn-té the Po-Ahtun-ho have cherished her! The priest of the men of iron is a man of strong magic. His vision has sent us to find the one who has made angry the gods of our land!
Source: Gutenberg

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