Marah Ellis Ryan

Marah Ellis Ryan

Summary

Portrait of Marah Ellis Ryan Marah Ellis Ryan The Bondwoman

I married the one man who had all my affection. I approve of such marriages. If the man comes for whom you would care like that, I should welcome him.”
“He will never come, Maman,” and the smile of the Marquise someway drifted into a sigh. “I shall live and die the widow of Alain.”
The dowager embraced her. “But for all that I do not approve,” she protested. “Your reasons for not marrying do not convince me, and I promise my support to the most worthy who presents himself. Have you an ideal to which nothing human may reach?”
Source: Gutenberg

Portrait of Marah Ellis Ryan Marah Ellis Ryan The Bondwoman

The soul of that girl will weigh as heavily as ours in the judgment that is final; but, in the meantime, why teach it and others to admire all that allurement of evil showing in her eyes as she looks at you?”
“Judithe!” protested the dowager.
“Oh!––I do not doubt in the least, Maman, that the woman Kora looked just so when she sat for the picture,” conceded the girl; “but why not endeavor to awaken a higher, stronger expression, and paint that, showing the better possibilities within her than mere seductiveness?”
“What fervor and what folly, Marquise!” cried Dumaresque.
Source: Gutenberg

Portrait of Marah Ellis Ryan Marah Ellis Ryan The Bondwoman

Gertrude envied her the wooing, but hated her for the laughter. All her life Kenneth McVeigh had been her ideal, but to this finished coquette of France he was only the man of the moment, who contributed to her love of power, her amusement. For the girl, who was his friend, read clearly the critical, half contemptuous gleams, alternating at times the graciousness of Madame Caron’s dark eyes. She glanced at Monroe, and guessed that he was no more pleased than herself at the tete-a-tete there, and that he was quite as watchful.
Source: Gutenberg

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