Gilbert Seldes,
The Seven Lively Arts
“ Surely there is nothing exquisite in the roaring charwoman created by George Monroe. He had to an inspiring degree the capacity to be one of those vast figures in Dickens—Mrs Gamp to perfection—and it is odd that another impersonator, Bert Savoy, should have created, in Margie, Mrs Gamp’s own confidante and admirer, the devoted Mrs Harris. George Monroe’s creation was huge and cylindrical—more like a drainpipe than a woman in shape. There was no effort at realism, for Monroe roared in a deep bass voice, and his “Be that as it ma-a-y” was a leer in the face of all logic, order, and decency. ”
