Sir Max Beerbohm

“ You, Miss Dobson, what are you? A conjurer, and a vagrant; without means, save such as you can earn by the sleight of your hand; without position; without a home; all unguarded but by your own self-respect. That you follow an honourable calling, I do not for one moment deny. I do, however, ask you to consider how great are its perils and hardships, its fatigues and inconveniences. From all these evils I offer you instant refuge. I offer you, Miss Dobson, a refuge more glorious and more augustly gilded than you, in your airiest flights of fancy, can ever have hoped for or imagined. ”

“ We had drunk black wine. I scream’d, ‘I will race you, Master!’ ‘What matter,’ he shriek’d, ‘to-night Which of us runs the faster? There is nothing to fear to-night In the foul moon’s light!’ Then I look’d him in the eyes, And I laugh’d full shrill at the lie he told And the gnawing fear he would fain disguise. It was true, what I’d time and again been told: He was old—old.
There was, I felt, quite a swing about that first stanza—a joyous and rollicking note of comradeship. ”

“ Whistler never failed to find right words, and the right cadence for a dignified meaning, when dignity was his aim. 'And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairyland is before us...' That is as perfect, in its dim and delicate beauty, as any of his painted 'nocturnes.' But his aim was more often to pour ridicule and contempt. ”

“ They laugh to the sound of flutes. On their long couches they lie down at last, and sleep comes to kiss their eyelids. None of these things may I see. Wherefore the brightness of my beauty is even as a curse to me, and I would put it from me.' And as he wept, Vulcan said to him, 'I am not the least cunning of the gods, nor the least pitiful. Do not weep, for I will give you that which shall end your sorrow. Nor need you put from you the brightness of your beauty.' And Vulcan made a mask of dull silver and fastened it across his brother's face. ”

“ Oxford! The very sight of the word printed, or sound of it spoken, is fraught for me with most actual magic.
And on that moonlit night when I floated among the vapours of these meadows, myself less than a vapour, I knew and loved Oxford as never before, as never since. Yonder, in the Colleges, was the fume and fret of tragedy—Love as Death’s decoy, and Youth following her. What then? Not Oxford was menaced. Come what might, not a stone of Oxford’s walls would be loosened, nor a wreath of her vapours be undone, nor lost a breath of her sacred spirit. ”

“ Every day as his mood has changed since his last toilet, he will vary the colour, texture, form of his costume. Fashion does not rob him of free will. It leaves him liberty of all expression. Every day there is not one accessory, from the butterfly that alights above his shirt front to the jewels planted in his linen, that will not symbolise the mood that is in him or the occasion of the coming day. ”

“ The white cliffs of Albion shall be ground to powder for Loveliness, and perfumed by the ghost of many a little violet. The fluffy eider-ducks, that are swimming round the pond, shall lose their feathers, that the powder-puff may be moonlike as it passes over Loveliness' lovely face. Even the camels shall become ministers of delight, giving many tufts of their hair to be stained in her splendid colour-box, and across her cheek the swift hare's foot shall fly as of old. ”

“ It is only a whole seaful of water that can rival fire in variety and in loveliness. But even the spectacle of sea at its very best—say in an Atlantic storm—is less thrilling than the spectacle of one building ablaze. And for the rest, the sea has its hours of dulness and monotony, even when it is not wholly calm. Whereas in the grate even a quite little fire never ceases to be amusing and inspiring until you let it out. As much fire as would correspond with a handful of earth or a tumblerful of water is yet a joy to the eyes, and a lively suggestion of grandeur. ”

“ Sheen of white satin and silk, glint of gold, glitter of diamonds—never were such things caught by surer hand obedient to more voracious eye. Yes, all the splendid surface of everything is there. Yet must you not look. The soul is not there. An expensive, very new costume is there, but no evocation of the high antique things it stands for; whereas by the Duke it was just these things that were evoked to make an aura round him, a warm symbolic glow sharpening the outlines of his own particular magnificence. Reflecting him, the mirror reflected, in due subordination, the history of England. ”