Vlas Mikhaĭlovich Doroshevich

Biographical details

Vlas Mikhaĭlovich Doroshevich The Way of the Cross — In the Forests of Mogilef (1916)

And between these crosses, and amongst the lowering smoke of forest bonfires and clouds of dust come on, come on, without end come on grey carts and people, like grey visions.
With uninterrupted hooting, tinkling, and whistling, the relief cars come along, making their way through the dense crowd going in the opposite direction.
Going for fugitives, going with fugitives.
Every car in Roslavl is being used for the carting of the fugitives.
They gather on the road the sick, the tired-out, horseless ones, the people going on foot; they pick up the children, the orphaned, the lonely.
Source: Wikisource

Vlas Mikhaĭlovich Doroshevich The Way of the Cross — In the Forest (1916)

The farther we go into the forest the stronger is this scent, the oftener do we meet the fires.
And it seems as if we are not in the forest at all—but as if a kind of illuminated endless town were stretching itself out upon the road.
We stop the car—the forest is full of rustlings and noises.
Human sounds are heard—here and there an axe resounds, bonfires crackle.
Source: Wikisource

Vlas Mikhaĭlovich Doroshevich The Way of the Cross — The River (1916)

The Holm people came before any of the others, they have been longer on the road and are more upset than all the rest.
Their peasant women are quarrelsome, they look about them ill-naturedly, and for every little nothing they raise hysterical cries.
It’s evident that they’re upset in the very depths of their souls.
Their nerves are all unstrung.
See, approaching slowly, in their reddish sheepskin coats with fringes of wool hanging from the cuffs of their sleeves, come the people from the province of Grodno.
You can recognize the Grodno people by their carts.
Source: Wikisource

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