Summary

1911 Encyclopædia Britannica, Volume 13… (1911)

It is doubtful whether the origin of the god can be traced to any specific form of fire. As all earthly fire was thought to have come from heaven, Hephaestus has been identified with the lightning. This is supported by the myth of his fall from heaven, and by the fact that, according to the Homeric tradition, his father was Zeus, the heaven-god. On the other hand, the lightning is not associated with him in literature or cult, and his connexion with volcanic fires is so close as to suggest that he was originally a volcano-god.
Source: Wikisource

1911 Encyclopædia Britannica, Volume 13… (1911)

The fire, as an element, belongs to the Olympian Hephaestus; the Titan Prometheus, a more human character, steals it for the use of man. Prometheus resembles the Polynesian Maui, who went down to fetch fire from the volcano of Mahuika, the fire-god. Hephaestus is a culture-god mainly in his secondary aspect as the craftsman, whereas Prometheus originates all civilization with the gift of fire. But the importance of Prometheus is mainly mythological; the Titan belonged to a fallen dynasty, and in actual cult was largely superseded by Hephaestus.
Source: Wikisource

1911 Encyclopædia Britannica, Volume 13… (1911)

In Homer, the skill of Hephaestus in metallurgy is often mentioned; his forge was on Olympus, where he was served by images of golden handmaids which he had animated. Similar myths are found in relation to the Finnish smith-god Ilmarinen, who made a golden woman, and the Teutonic Wieland; a belief in the magical power of metal-workers is a common survival from an age in which their art was new and mysterious. In epic poetry Hephaestus is rather a comic figure, and his limping gait provokes “Homeric laughter” among the gods. In Vedic poetry Agni, the fire-god, is footless
Source: Wikisource

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