Summary

A. G. Bradley Owen Glyndwr and the Last Struggle for Welsh Independence

Dafydd ap Gwylim, the greatest of all Welsh love-poets, was still alive in Glyndwr’s youth, while Gutyn Owen was almost a contemporary. Welsh poetry had attuned itself, since the Edwardian conquest had brought comparative peace in Wales, to gentler and more literary themes. The joys of agriculture and country life, the happiness of the peasant, the song of birds, the murmur of streams, and, above all, the gentler passions of human nature had supplanted to a great extent the fiercer notes of martial eulogies, the pæans of victory, and the plaintive wails over long-past but unforgotten defeats.
Source: Gutenberg

A. G. Bradley Owen Glyndwr and the Last Struggle for Welsh Independence

From Colwyn ap Tangno, the fountainhead of half the pedigrees in North-west Wales, till forty years after Glyndwr’s time, when, in the Wars of the Roses, David ap Sinion made that celebrated defence against Lord Herbert which inspired the writing of the stirring and immortal march, Harlech was a focus of strife, the delight of the bard, the glory of the minstrel. Of all Welsh castles, save the fragment of Dinas Brân,—and that is indeed saying much,—it is the most proudly placed; and the great medieval fortress, still in its exterior so perfect, is well worthy of its site.
Source: Gutenberg

A. G. Bradley Owen Glyndwr and the Last Struggle for Welsh Independence

GLYNDWR was now, by the lowest estimate, in his forty-sixth year. For that period, when manhood began early, and old age, if it came at all, came quickly, he certainly carried his years with remarkable lightness. Who can say, however, with what feelings he surveyed his handiwork? From end to end, with almost the sole exception of Anglesey and Carnarvonshire and western Pembroke, Wales lay desolate and bleeding. Owen’s hands were red, not only with the blood of Saxons, but with that of old friends and even kinsmen.
Source: Gutenberg

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