Summary

Portrait of George Borrow George Borrow Wild Wales: The People, Language…

The scenery of Wales had a very especial appeal for him, and no wonder; for there is nothing like it in the world. Although I am familiar with the Alps and the other mountain ranges of Europe in their wildest and most beautiful recesses, it is with me as it was with Borrow: no hill scenery has the peculiar witchery of that around Eryri. It is unique in the scenery of Europe. Grander scenery there is on the Continent, no doubt—much grander—and scenery more soft and lovely; but none in which grandeur and loveliness meet and mingle in so fascinating a way as in Wales.
Source: Gutenberg

Portrait of George Borrow George Borrow Wild Wales: The People, Language…

What a triumph for Wales; what a triumph for bardism, if Lleiaf had ever written an englyn, or couplet, in which not a bridge for common traffic, but a railroad bridge over the Menai was hinted at, and steam travelling distinctly foretold! Well, though Lleiaf did not write it, there exists in the Welsh language an englyn, almost as old as Lleiaf’s time, in which steam travelling in Wales and Anglesey is foretold, and in which, though the railroad bridge over the Menai is not exactly mentioned, it may be considered to be included; so that Wales and bardism have equal reason to be proud.
Source: Gutenberg

Portrait of George Borrow George Borrow Wild Wales: The People, Language…

CELT v SAXON
Those who have seen much of the writing fraternity of London or Paris, know that the great mass of authors, whether in prose or in verse, have just as much and just as little individuality—have just as much and just as little of any new and true personal accent, as the vast flock of human sheep whose bleatings will soon drown all other voices over land and sea. They have the peculiar instinct for putting their thoughts into written words—that is all. This it is that makes Borrow such a memorable figure. If ever a man had an accent of his own that man was he.
Source: Gutenberg

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