Summary

Portrait of Abraham Cahan Abraham Cahan The White Terror and The Red: A Novel of Revolutionary Russia

Anna Nicolayevna’s eyes grew red and then filled with tears, as she shrank deeper into the corner of the couch.
She was left in a frame of mind that was a novel experience to her. Her pity was lingering about a stalwart military figure with the gloom and glint of martyrdom on his face—the face of Alexander II. Quite apart from this was the sense of having been initiated into a strange ecstasy of thought and feeling—of bold ideas and broad human sympathies. She was in an unwonted state of mental excitement. Pavel seemed to be a weightier personage than ever.
Source: Gutenberg

Portrait of Abraham Cahan Abraham Cahan The White Terror and The Red: A Novel of Revolutionary Russia

As to Parmet, his plump, dark face was an image of religious ecstasy. Pavel warmed to him. His Talmudic gestures and intonation amused him.
“There’s no trouble about your Latin,” he said, familiarly; “no trouble whatever.”
“Isn’t there? It was Pani Oginska’s son who gave me the first start,” the other said, blissfully, uttering the name in a lowered voice. “If it had not been for him I should still be immersed in the depths of darkness.”
“‘Immersed in the depths of darkness!’ There is a phrase for you! Why should you use high-flown language like that?”
Source: Gutenberg

Portrait of Abraham Cahan Abraham Cahan The White Terror and The Red: A Novel of Revolutionary Russia

The common people had some pretty stories to tell of a gigantic bird of which the rocky beak was a part and whose petrified body was now asleep in the bosom of the hill that had once been its nest.
Pavel and Clara sat down to rest on the freshly carpeted slope. The town clustered before them in a huddle of red, [171] white, green and grey, shot with the glitter of a golden-domed cathedral, the river flashing at one end like the fragment of an immense sabre. It was warm and quiet. There was not a human soul for a considerable distance around.
Source: Gutenberg

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