Summary

Portrait of Adolf Hausrath Adolf Hausrath Klytia: A Story of Heidelberg Castle

One day that he found his brother sitting alone near the window of his oaken-panelled room, gazing with longing look out of the diamond panes over the gables of the houses towards the Heiligenberg, as if counting each individual pine, which seemed to detach itself from the white clouds behind, the opportunity appeared favorable to the artist.
"Thou must be digging out a new philosophy, Paolo," he said laughing, "that thou gazest up for hours at the blue October sky."
"I see no necessity for one," replied Paul wearily. "Resignation is true philosophy and life itself teaches us that."
Source: Gutenberg

Portrait of Adolf Hausrath Adolf Hausrath Klytia: A Story of Heidelberg Castle

Never had Paolo looked handsomer. His black eyes gleamed with the fire of that ecstasy into which he had worked himself, and a changing colour glowed over his pale cheek. "Dost thou feel the sweetness of heavenly love," he whispered. "Lydia, dost thou see the sweet smiling lips of the Saviour?" The kneeling Lydia felt, how he bowed his face over her head, her bosom worked tempestuously up and down, her cheeks assumed a deeper colour. As if in the fervor of prayer he seized her hand, and the maiden felt his own tremble. "Canst thou see nothing?"
Source: Gutenberg

Portrait of Adolf Hausrath Adolf Hausrath Klytia: A Story of Heidelberg Castle

Thou seemest to have made a pact with Lydia of mutual self-sacrifice."
A flaming color spread suddenly over the patient's pale face. "Why dost thou hide thyself behind the clouds, thou love-sick Apollo, and sufferest thy flower to mourn? Must I take her by the hand and lead her to thee?"
Paul made a motion of grief. "Thou would'st sacrifice thyself, my good Felix," he cried, "but how could I accept such a sacrifice?"
"Sacrifice," said the Maestro, merrily cocking his Raphael cap to one side. "We artists are terrible sinners.
Source: Gutenberg

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