Alberto Santos-Dumont

Alberto Santos-Dumont

My Airships (1904)

Summary

Portrait of Alberto Santos-Dumont Alberto Santos-Dumont My Airships (1904)

These faint, piercing sounds, together with the yelping and barking of dogs, are the only noises that reach one through the depths of the upper air. The human voice cannot mount up into these boundless solitudes. Human beings look like ants along the white lines that are highways, and the rows of houses look like children's playthings.
While my gaze was still held fascinated on the scene a cloud passed before the sun. Its shadow cooled the gas in the balloon, which wrinkled and began descending, gently at first, and then with accelerated speed, against which we strove by throwing out ballast.
Source: Wikisource

Portrait of Alberto Santos-Dumont Alberto Santos-Dumont My Airships (1904)

The Eiffel Tower was my one danger, yet it was my winning-post!
Such were my fears while on the ground; while in the air I had no time for fear. I have always kept a cool head. Alone in the air-ship I am always busy, for there is more than enough work for one man. Like the captain of a yacht, I must not let go the rudder for an instant. Like its chief engineer, I must watch the motor. The balloon's rigidity of form must be preserved.
Source: Wikisource

Portrait of Alberto Santos-Dumont Alberto Santos-Dumont My Airships (1904)

Prize or no prize, I must work, and I shall always work in this my chosen field of aerostation. For this my place is Paris, where the public, in particular the kindly and enthusiastic populace, both knows and trusts me. Here, in Paris, I go up for my own pleasure day by day, as my reward for long and costly experiment.
In England and America it is quite different. When I take my air-ships and my employees to those countries, build my own balloon house, furnish my own gas plant, and risk breaking machines that cost more than any automobile, I want it to be done with a settled aim.
Source: Wikisource

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