Alfonso Josephs Sheafe

Summary

Alfonso Josephs Sheafe The Fascinating Boston

The Boston is not a Waltz, yet it is the perfection of it. It is one of those paradoxical things which, while it is impossible to be classified, contains all that is to be found in almost any other dance. Even the persons who have so long and so loyally clung to other forms of dancing, and have abated none in their zeal for their favorites, have been unconsciously, and perhaps unwillingly, charmed by the seductiveness of the Boston, until they now freely declare the new dance to be the superior of the Waltz.
Source: Gutenberg

Alfonso Josephs Sheafe The Fascinating Boston

As the dancer becomes more familiar with the Boston, the movement becomes so natural that little or no thought need be paid to technique, in order to develop the peculiar grace of it.
The fact of its being a dance altogether in one position calls for greater skill in the execution of the Boston, than would be the case if there were other changes and contrasts possible, just as it is more difficult to play a melody upon a violin of only one string.
Source: Gutenberg

Alfonso Josephs Sheafe The Fascinating Boston

It is one of the remarkable features of the Boston that the weight is always opposite the line of direction—that is to say, in going forward, the weight is retained upon the rear foot, and in going [19] backward, the weight is always upon the front foot (direction always radiates from the dancer) . Thus, in proceeding around the room, the weight must always be held back, instead of inclining slightly forward as in the other round dances. This seeming contradiction of forces lends to the Boston a unique charm which is to be found in no other dance.
Source: Gutenberg

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