Eadweard Muybridge,
The attitudes of animals in motion…
“ The ambition and perhaps also the province of art in its most exalted sense, is to be a delineator of impressions, a creator of effects, rather than a recorder of facts. Whether in the illustrations of the attitudes of animals in motion the artist is justified in sacrificing truth, for an impression so vague as to be dispelled by the first studied observation, is a question perhaps as much a subject of controversy now as it was in the time of Lysippus, who ridiculed other sculptors for making men as they existed in nature ”
