Summary

Alfred Pretor The Chapel on the Hill

And at the Rectory all was sadness and dismay. The Rector seldom alluded to my going; I think he could not trust himself. But the children, who had been always fond of me, were less reticent of their grief, especially as they saw before them a blank future, from which the wedding and its attendant festivities had been suddenly withdrawn.
And still the dreary days went on. Each day a Good-bye said to some one who had become a kindly friend, and each day a Good-bye to some haunt in which Marion and I had walked and loved.
Source: Gutenberg

Alfred Pretor The Chapel on the Hill

And, like a true lover, I abandoned the Rectory trout to their own devices, while I mused and dreamed over my lady’s perfections. “Of course,” I said to myself, “Shakespeare is right, as he always is. Fancy is engendered in the eye; at least it was in my case; born before I had seen any reasons for its birth, in fact, in spite of many reasons to the contrary, as I recalled the well-remembered shock of Reggie’s love-scene. And it may either die in its cradle, or else turn to love, as mine did. Then how is it that the unattractive women find their husbands?
Source: Gutenberg

Alfred Pretor The Chapel on the Hill

In the drawing-room Marion sang to me my favourite songs, amongst them, of course, ‘The Message’ and ‘The Requital.’ Last of all I asked for ‘My Queen,’ the song which above all others realises the entire self-abandonment which is the very hall-mark of love. For a love that is true and worth the name will impose on itself no restrictions and no limitations, giving itself wholly and unreservedly, without asking the reason why and wherefore, to the object of its worship.
Source: Gutenberg

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