Algernon Blackwood

Algernon Blackwood

Summary

Portrait of Algernon Blackwood Algernon Blackwood Egyptian Sorcery (1921)

I Sanfield paused as he was about to leave the Underground station at Victoria, and cursed the weather. When he left the City it was fine; now it was pouring with rain, and he had neither overcoat nor umbrella. Not a taxi was discoverable in the dripping gloom. He would get soaked before he reached his rooms in Sloane Street.
He stood for some minutes, thinking how vile London was in February, and how depressing life was in general. He stood also, in that moment, though he knew it not, upon the edge of a singular adventure.
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood Egyptian Sorcery (1921)

In the tremendous grip of that power which spins the stars and suns, while drawing souls into manifestation upon a dozen planets, he raced, he dived, he plunged, helpless, yet driven by the creative stress of love and sacrifice towards some eternal purpose. Caught in what seemed a vortex of amazing force, he sank away, as a straw is caught and sunk within the suction of a mighty whirlpool. His memory of Morris, of the doctor, of the girl herself, passed utterly. His entire personality became merged, lost, obliterated.
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood Egyptian Sorcery (1921)

Whereupon Morris blanched. “George Sanfield!” he muttered, half to himself, half to the nurse who hurried up. “That voice! The very number too!” He looked white and terrified, as if he had seen a ghost. A whispered colloquy ensued between him and the nurse. It was inaudible.
“Now, dearest Maggie,” he said at length, making evidently a tremendous effort, “do try and lie quiet for a bit. Don’t bother about George Sanfield, my London friend. His shares are quite safe. You’ve heard me speak of him. It’s all right, my darling, quite all right. Oh, believe me! I’m your brother.”
Source: Wikisource

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