Summary

Portrait of Amelia E. Barr Amelia E. Barr The Paper Cap: A Story of Love and Labor

Selby was so handsome, so deeply in love, so desirable in every way, that Katherine knew herself to be the most fortunate of women. She was now also in love, really in love. Her affection for her child lover had faded even out of her memory. Compared with her passion for Selby, it was indeed a child love, just a sentimental dream, nursed by contiguity, and the tolerance and talk of elder people. Nothing deceives the young like the idea of first love—a conquering idea if a true one, a pretty dangerous mirage, if it is not true.
Source: Gutenberg

Portrait of Amelia E. Barr Amelia E. Barr The Paper Cap: A Story of Love and Labor

I could hear the clattering of the looms in the loom sheds attached to most of these dwellings. I could see the handsome women with their large, rosy families, and the burly men standing in groups discussing some recent sermon, or horse race, or walking with their sweethearts; and perhaps singing “The Lily of the Valley,” or “There is a Land of Pure Delight!” I could hear or see the children laughing or quarreling, or busy with their bobbins at the spinning wheel, and I could even follow every note of the melody the old church chimes were flinging into the clear, sweet atmosphere above me.
Source: Gutenberg

Portrait of Amelia E. Barr Amelia E. Barr The Paper Cap: A Story of Love and Labor

It seemed as if all nature rejoiced with her, as if her good angel loved her so that she had conniv’d with everything to give her love and pleasure. There had been some anxiety about her dress, but it turned out to be a marvel of exquisite beauty. It was, of course, a frock of the richest white satin, but its tunic and train and veil were of marvelously fine Spanish lace. There were orange blooms in her hair and myrtle in her hands, and her sweetness, beauty and happiness made everyone instinctively bless her.
Dick’s marriage to Faith Foster was much longer delayed
Source: Gutenberg

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