Amélie Rives

Summary

Amélie Rives Her Christmas Cabby (1910)

There was much more, however, but it came out little by little, as poor Lucinda relaxed for the first time in that dreary six years, and the hot tea and Betty's sympathy unsealed the fountain of her shy heart. She was very exhausted, poor soul. To travel straight from Detroit to New York in common passenger-coaches, by night and day, is a fatiguing experience, especially when one is over forty and has never travelled so much as a day before in one's whole life.
Source: Wikisource

Amélie Rives Her Christmas Cabby (1910)

To paint from nature and for love in the Virginia fields was a singularly different thing from painting strange faces for necessary money in a New York studio. And though Sue was a dear and the stanchest of friends, there were times when Betty wished that she spoke with a Southern instead of a Northern accent, so that old associations would rise softly with her voice.
Source: Wikisource

Amélie Rives Her Christmas Cabby (1910)

That drive with “Mac” and Jonas was a bright memory with Betty all her life. She was so tired that day, that the most cunningly hung and cushioned motor could not have tempted her from her warm studio. But to go with “Mac” and Jonas for that “Christmas ride” she could not fling on her wraps fast enough.
“Sue ... Sue ...” she laughed, thrusting in hatpins with nervous fingers. “Look at me well, Sue dear. ... Look at yourself in the glass.... We're the only women alive who've ever been asked by a New York cabby to take a 'free ride.' That dear McGowan! ... Isn't he a perfect dear, Sue? ...
Source: Wikisource

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