Andrew James Symington

Summary

Andrew James Symington Pen and pencil sketches of Faröe and Iceland (1862)

Its high bow and stern enables it to ride and rise over the waves like a sea-duck, although its chance of living seems almost as little, and as perilous, as that of the dancing shallop or mussel-shell we see whelmed in the ripple. Its preservation, to the onlooker from the deck of a large vessel, often seems miraculous. It is the practice, in encountering the stormy blasts of the North Sea, to lower the lug-sail on the approach of every billow, so as to ride its crest with bare mast, and to raise it again as the skiff descends into the more sheltered trough of the wave.
Source: Gutenberg

Andrew James Symington Pen and pencil sketches of Faröe and Iceland (1862)

The great Geyser is the most northern, and lies on our extreme left. From where we stand, it resembles an artificial mill pond with an embankment rising all round it and slanting—to compare great things with small—like the sides of a limpet-shell from which the top or cone has been struck off. Clouds of white vapour hovered over it, as it lay gleaming like a silver shield. Near it, is our tent, and a heap of boxes, saddles, and other gear lying piled on the ground.
A little higher up and nearer us, on the right, lies the tranquil and beautiful spring of Blesi.
Source: Gutenberg

Andrew James Symington Pen and pencil sketches of Faröe and Iceland (1862)

An opening glows like a furnace seven times heated, darting rays from its central fire athwart the sky, and opening up a burning cone-shaped pathway of light on the smooth heaving billows, the apex of which reaches our prow.
Such the scene, as we sail north-west between the northernmost out-lying skerries of the Westmanna group and the south-west coast of Iceland and silently 45watch the gorgeous hues of sunset. Strangely at such times “hope and memory sweep the chords by turns,” till the past, fused down into the present, becomes a magic mirror for the future.
Source: Gutenberg

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