Summary

Portrait of Andrew Lang Andrew Lang The Mystery of Mary Stuart

If we try to write history on another method, we become ‘picturesque:’ we are composing a novel, not striving painfully to attain the truth. Yet, when we know not the details;—the aspect of dwellings now ruinous; the hue and cut of garments long wasted into dust; the passing frown, or smile, or tone of the actors and the speakers in these dramas of life long ago; the clutch of Bothwell at his dagger’s hilt, when men spoke to him in the street; the flush of Darnley’s fair face as Mary and [Pg 2] he quarrelled at Stirling before his murder—then we know not the real history, the real truth.
Source: Gutenberg

Portrait of Andrew Lang Andrew Lang The Mystery of Mary Stuart

It is not easy for those who know modern Edinburgh to make a mental picture of the Kirk o’ Field. To the site of that unhappy dwelling the Professors now daily march, walking up beneath the frowning Castle, from modern miles of stone and mortar which were green fields in Mary’s day. The students congregate from every side, the omnibuses and cabs roll by through smoky, crowded, and rather uninteresting streets of shops: the solid murky buildings of the University look down on a thronged and busy populace which at every step treads on history, as Cicero says men do at Athens.
Source: Gutenberg

Portrait of Andrew Lang Andrew Lang The Mystery of Mary Stuart

Riccio, Darnley, Lethington, Norfolk, the donors of these jewels, they were all to die for her, as Bothwell, too, was to perish, the giver of the diamond carried by Paris, the recipient of the black betrothal ring enamelled with bones and tears. ‘Her feet go down to death,’ her feet that were so light in the dance, ‘her steps take hold on hell.... Her lips drop as an honeycomb, and her mouth is smoother than oil.
Source: Gutenberg

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