Summary

Andrew Macgeorge Flags: Some Account of their History and Uses

To the true patriot of every country the national flag must be a subject of pride. If, as a French writer observes, it does not always lead him to victory, it inspires him to fight well, and if need be to die well. "We pay to it," says the same writer, "royal honours. When it is paraded—in rags it may be, and with faded colours, bearing in letters of gold the names of victories—the troops present arms, the officers salute it with the sword, and the white heads of veteran generals are uncovered and bent before the ensign." To the soldier its loss is one of the greatest calamities.
Source: Gutenberg

Andrew Macgeorge Flags: Some Account of their History and Uses

Previous to the Revolution the French can hardly be said to have had a national flag. The colours of the reigning families—changing as they did with each fresh dynasty, as was the case in our own early history—were accepted in the place of national standards, while each regiment in the army followed colours of its own. The celebrated Chape de Saint Martin de Tours and the Oriflamme of the Abbey of Saint Denis, were, like the labarum of Constantine, ecclesiastical banners, symbolic of the two patrons of Christian France watching over her in her battles.
Source: Gutenberg

Andrew Macgeorge Flags: Some Account of their History and Uses

In our great wars in which the navy of Great Britain played so prominent a part, we became so accustomed to see the flag of the enemy bent on under our own ensign, that if an exceptional case occurred where the position of the two flags was reversed, it went home to the heart of every loyal subject with a pang which the loss of many ships by storm and tempest would not have produced.
Yet how few of us know what the national colours are, what the Union is, what the Royal Standard is.
Source: Gutenberg

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