Summary

Portrait of Anna Alice Chapin Anna Alice Chapin The Woman With a Past — V.—A Moment's Halt (1912–14)

Pippa had felt as if she were passing through some strange troll country in a German fairy tale. Surely in such a world as this were the terrible kobold women, and the werewolves that hunt in the dark of the moon,
Then, in the dawning, she had lifted the shade in her stateroom and looked out upon rolling mountain reaches and shifting miles of mist, and a sort of uplift had come to her. For she was of those who receive impressions with almost magical speed and certainty. In all her travels she was forever rocked by the mood of the place. Perhaps that was why she had kept young so long.
Source: Wikisource

Portrait of Anna Alice Chapin Anna Alice Chapin The Woman With a Past — V.—A Moment's Halt (1912–14)

She had never outgrown the fleeting moods wherein the joy of life pulses unreasoningly. To-day the past and its dark places were lost—-charmed away by the smell of the orange trees and the rapturous blue sky of California.
They were halted just on the edge of the valley, which is veritably all one great garden. The big orange groves and important ranches were farther down, below San Bernardino, but already there were small farms and tiny clusters of orange trees. Pippa gasped with the wonder of that scent which assails one's senses like the fumes of a divine anesthetic.
Source: Wikisource

Portrait of Anna Alice Chapin Anna Alice Chapin The Woman With a Past — V.—A Moment's Halt (1912–14)

He was a bright-eyed French peasant, clean and brown, with a ready smile on his wrinkled face, and a ready courtesy. The two of them made Philippa welcome exquisitely, plied her with the simple fare, and circled her about with that sense of gracious welcome and unaffected compliment which the Latin races can so warmly and delicately convey. All three talked happily in French, and Philippa could almost have dreamed herself back in one of her beloved country villages of France.
Source: Wikisource

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