Joris-Karl Huysmans

Joris-Karl Huysmans

Summary

Portrait of Joris-Karl Huysmans Joris-Karl Huysmans,  Against the Grain — Chapter X (1926)

“ Hardly ever, indeed, are scents actually produced from the flowers whose name they bear; the artist who should be bold enough to borrow his element from Nature alone would obtain only a half-and-half-result, unconvincing, lacking in style and elegance, the fact being that the essence obtained by distillation from the flowers themselves could at the best present but a far-off, vulgarized analogy with the real aroma of the living and growing flower, shedding its fragrant effluvia in the open air. ”
Source: Wikisource

Portrait of Joris-Karl Huysmans Joris-Karl Huysmans,  Against the Grain — Chapter X (1926)

“ He pondered these recollections, recalling particularly an afternoon spent, partly for want of anything better to do, partly out of curiosity, in this woman's company at her sister's house at Pantin, the memory of which stirred in his breast a whole forgotten world of long-ago thoughts and oldtime scents. While the two women were chattering and showing each other their frocks, he had gone to the window and, through the dusty panes, had looked out on the long, muddy street and heard its pavements echo under the incessant beat of heavy boots trampling through the puddles. ”
Source: Wikisource

Portrait of Joris-Karl Huysmans Joris-Karl Huysmans,  Against the Grain — Chapter X (1926)

“ Years ago he had trained himself as an expert in the science of perfumes; he held that the sense of smell was qualified to experience pleasures equal to those pertaining to the ear and the eye, each of the five senses being capable, by dint of a natural aptitude supplemented by an erudite education, of receiving novel impressions, magnifying these tenfold, coordinating them, combining them into the whole that constitutes a work of art. ”
Source: Wikisource

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