Joris-Karl Huysmans

Joris-Karl Huysmans

Summary

Portrait of Joris-Karl Huysmans Joris-Karl Huysmans Against the Grain — Chapter II (1926)

The whole secret is to know how to set about it, to be able to concentrate the mind on a single point, to attain to a sufficient degree of self-abstraction to produce the necessary hallucination and so substitute the vision of the reality for the reality itself.
To tell the truth, artifice was in Des Esseintes' philosophy the distinctive mark of human genius.
As he used to say, Nature has had her day; she has definitely and finally tired out by the sickening monotony of her landscapes and skyscapes the patience of refined temperaments.
Source: Wikisource

Portrait of Joris-Karl Huysmans Joris-Karl Huysmans Against the Grain — Chapter II (1926)

Sometimes, of an afternoon, if Des Esseintes happened to be up and about at that time of day, he would turn the taps connected with a system of pipes and conduits that enabled the tank to be emptied and refilled with fresh water, and then by pouring in a few drops of coloured essences, he could enjoy at his pleasure all the tints, green or grey, opaline or silvery, that real rivers assume according to the hue of the heavens, the greater or less ardour of the sun's rays, the more or less threatening aspect of the rain-clouds, in a word according to the varying conditions of season and weather.
Source: Wikisource

Portrait of Joris-Karl Huysmans Joris-Karl Huysmans Against the Grain — Chapter II (1926)

Of a certainty, among women, frail, fair-skinned beauties or majestic, brown-locked charmers, no such consummate types of dainty slimness and of terrifying force are to be found. Without fear of contradiction may we say: man has done, in his province, as well as the God in whom he believes.
Thoughts like these would come to Des Esseintes at times when the breeze carried to his ears the far-off whistle of the baby railroad that plies shuttlewise backwards and forwards between Paris and Sceaux.
Source: Wikisource

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