Joris-Karl Huysmans

Biographical details

Portrait of Joris-Karl Huysmans Joris-Karl Huysmans The Cathedral — Chapter VII

On the other hand, consider this blue which Angelico uses so sumptuously in his celestial tones; when he makes it darker it loses its fulness, and looks almost dull; we see this in St. Clara's hood.
But what is yet more amazing is that this painter, so eloquent in blue, is but a stammerer when he makes use of the other angelic hue—rose-pink. In his hands it is neither subtle nor ingenuous; it is opaque, of the colour of blood thinned with water, or of pink sticking-plaister, excepting when it trends on the hue of wine-lees, like that of the Saviour's sleeves.
Source: Wikisource

Portrait of Joris-Karl Huysmans Joris-Karl Huysmans Against the Grain — Chapter V (1926)

Visible to Salomé, alone, it embraces in the stare of its dead eyes neither Herodias, who sits dreaming of her hate satiated at last, nor the Tetrarch, who, leaning rather forward with hands on knees, still pants, maddened by the sight of the woman's nakedness, reeking with heady fumes, dripping with balms and essences, alluring with scents of incense and myrrh.
Like the old King, Des Esseintes was overwhelmed, over-mastered, dizzied before this figure of the dancing-girl, less majestic, less imposing, but more ensnaring to the senses than the Salomé of the oil painting.
Source: Wikisource

Portrait of Joris-Karl Huysmans Joris-Karl Huysmans The Cathedral — Chapter XI

To the men of that time the north meant the gloom of winter, the dejection of darkness, the misery of cold; the ice-bound chant of the winds was to them the very blast of evil; to the north was the home of the devil, the hell of nature, as the south was its Eden."
"But that is absurd!" cried Durtal, "the greatest blunder ever introduced into the symbolism of the elements. The medieval sages were mistaken, for snow is pure and cold is chastity. It is the sun, on the contrary, that is the active agent in developing the germs of rottenness, the ferment of vice!
Source: Wikisource

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