Joris-Karl Huysmans,
Against the Grain — Chapter IV
(1926)
“ Finally he settled on stones whose hues would supplement each other,—the hyacinth of Compostella, mahogany red; the aquamarine, sea green; the balass ruby, vinegar rose; the Sudermania ruby, pale slate-colour. Their comparatively feeble play of colours would suffice to light up the deadness of the dull, grey shell, while leaving its full value to the brilliant bouquet of jewelled blossoms which they framed in a slender garland of uncertain splendours.Des Esseintes stood gazing at the turtle where it lay huddled together in one corner of the dining-room, flashing fire in the dim half light. ”
