Joris-Karl Huysmans

Joris-Karl Huysmans

Summary

Portrait of Joris-Karl Huysmans Joris-Karl Huysmans,  The Cathedral — Chapter XI

“ To the men of that time the north meant the gloom of winter, the dejection of darkness, the misery of cold; the ice-bound chant of the winds was to them the very blast of evil; to the north was the home of the devil, the hell of nature, as the south was its Eden."
"But that is absurd!" cried Durtal, "the greatest blunder ever introduced into the symbolism of the elements. The medieval sages were mistaken, for snow is pure and cold is chastity. It is the sun, on the contrary, that is the active agent in developing the germs of rottenness, the ferment of vice!
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Source: Wikisource

Portrait of Joris-Karl Huysmans Joris-Karl Huysmans,  The Cathedral — Chapter XI

“ In fact, she throws no light on this insoluble enigma."
"From the artist's point of view," Durtal went on, "Melchizedec is one of the best statues in this porch. But what a strange face is that of his neighbour Abraham, seen only three-quarters full, with hair like rolled grass, a beard like a river god, and a long nose straight from the forehead, coming down between the eyes without a bridge, like the proboscis of a tapir, with cheeks that seem swollen with cold, and a look—how shall I describe it?—of a conjuror who has made away with his son's head."
”
Source: Wikisource

Portrait of Joris-Karl Huysmans Joris-Karl Huysmans,  The Cathedral — Chapter XI

“ The Messianic prophecies are irresistible. All the logic of the Rabbins, the Protestants, the Freethinkers, all the ingenuity of the Germans, have failed to find a crack or to undermine the old rock of the Church. There is such a body of evidence, such certainty, such demonstration of the truth, such an indestructible foundation, that a man must be stricken with spiritual blindness to dare deny it. ”
Source: Wikisource

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