Joris-Karl Huysmans

Joris-Karl Huysmans

Summary

Portrait of Joris-Karl Huysmans Joris-Karl Huysmans,  The Cathedral — Chapter IX

“ They have no bodies; it is the soul alone that dwells in the wrought sheath of their raiment; they are in perfect harmony with the cathedral, which, divesting itself of its stones, soars in ecstatic flight above the earth.
The crowning achievement of mystical architecture and statuary are here, at Chartres; the most rapturous, the most superhuman art which ever flourished in the flat plains of La Beauce.
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Source: Wikisource

Portrait of Joris-Karl Huysmans Joris-Karl Huysmans,  The Cathedral — Chapter IX

“ It would have been so easy to build a less magnificent and less hideous church, and not to lodge the Redeemer in a monument of sin! Think of the throng of good souls who so long ago dragged their load of stones, praying as they went! It would never have occurred to them to turn their love to account and make it serve their craving for display, their hunger for lucre."
An arm was laid on his, and Durtal recognized the Abbé Gévresin, who had come up while he stood dreaming in front of the cathedral.
”
Source: Wikisource

Portrait of Joris-Karl Huysmans Joris-Karl Huysmans,  The Cathedral — Chapter IX

“ The cathedral is faithful to its name, loyal to its dedication. The Virgin is Lady over all. She fills the whole interior, and appears outside even on the western and southern portals, which are not especially Hers, above a door, on a capital, high in air on a pediment. The angelic salutation of art has been repeated without intermission by the painters and sculptors of every age. The cathedral of Chartres is truly the Virgin's fief. ”
Source: Wikisource

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